A review of South African artist Kendell Geers’s powerful midcareer retrospective at Haus der Kunst, Munich. Yes, I wrote this about the same time I did the feature on Haus der Kunst for Monocle (March issue).
Art-Athina post-hiatus: sales slow, galleries mostly Greek. But hordes and hordes of hungry art-lovers were hungry to see new work. A musing on the event, and what role regional art fairs are playing these days.