I was once a magazine editor. Now I’m involved in producing books for European art institutions including Akademie Schloss Solitude in Stuttgart, Gropius Bau in Berlin, Haus der Kunst in Munich, and many others. I edit and write catalogue essays and exhibition materials for galleries such as KOW and Sprüth Magers in Berlin. Beyond books, I have had long-term editorial relationships with publishing houses and publications like Hatje Cantz, South as a State of Mind, and Texte zur Kunst. I edit and write for Art | Basel, and artists including Ai Weiwei.
I am co-editor of Navigating the Planetary—a collection of essays and interviews exploring transcultural art—with Hildegund Amanshauser, through the Salzburg International Summer Academy of Fine Arts and published in 2020 by Verlag für moderne Kunst in Vienna, Austria.
Other books (essays, editing, copy editing; selection):
Skin in the Game: Conversations on Risk and Contention, reader and exhibition catalog, Clémentine Deliss. Hatje Cantz, 2023
Milkyways, essays, Camille Henrot. Hatje Cantz, 2023
Zheng Bo: Wanwu 1, monograph, Zheng Bo. Verlag der Buchhandlung Walther und Franz König, 2023
Simultaneous Spaces, monograph, Michelle Jezierski. DCV Books, 2022
Why Art Criticism? reader, Beate Söntgen and Julia Voss. Hatje Cantz, 2022
Untranslatable, reader, Akademie Schloss Solitude. Archive Books, 2021
Vivien Greven. Apple, catalogue, Kunstpalais Erlangen, 2020
Twelve Paintings, essays, Tal Sterngast. Hatje Cantz, 2020
Goethe in the Skyways, catalogue, Sandra Teitge and Valerie Chartrain. Spector Books, 2020
Many Monocle books. Various publishers, 2015–2021
The Metabolic Museum, Clémentine Deliss. Hatje Cantz, 2020
In Recent Years, catalogue, Bettina Pousttchi. Koenig Books, 2020
Island Hoping, catalogue, Christina Dimitriadis. Meta Books, 2019
A Mental Masquerade, essay and criticism, Astrid Mania and Thomas Fischer. Spector Books, 2019
Schönheit und Abgrund, essays on Viennese modernism. Vienna Tourism Office, 2018
Apparitions: Geta Bratescu, catalogue, Romanian participation at the Venice Biennial.
Koenig Books, 2017
Max Beckmann: The World as a Stage, catalogue, Museum Barberini. Prestel Verlag, 2017
Some Pheasants in Singularity, catalogue, Andro Wekua. Sprüth Magers and Koenig Books, 2016
Die Berlinerin: Ashkan Sahihi, catalogue, Distanz Verlag, 2015
10 x 10, Rosella Biscotti, catalogue, Haus Esters and Revolver Publishing, 2015
Corporeal: Hadassah Emmerich, catalogue, Museum Schunck and Kerber Verlag, 2015
Mark Leckey: On Pleasure Bent, monograph, WIELS/Haus der Kunst and Koenig Books, 2014
Kendell Geers, 1988–2012, catalogue, Haus der Kunst and Prestel Verlag, 2013